Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
6.23.2014
Recent Days (Closure)
Right out of school, a month before starting Brain Frame, in the cosmic summer of 2011, I began this autobiographic comic called Recent Days. I performed some of it at the first Brain Frame, and some more at the first anniversary (BF7). I got to around seventy pages before abandoning the book. Here, finally, the story finds closure. This 2-page spread will be printed in the Brain Frame Yearbook, released this August at our third anniversary (BF19) and final show.
Please pre-order a Brain Frame Yearbook or
Buy an ad in the back of the book or
DONATE to help us make this happen. We need to raise $7750 by July 1st. Pressure's on and coffers are slim.
Labels:
brain frame,
comics,
drawing,
Recent Days,
writing
6.21.2014
The Brain Frame Yearbook
Let me tell you about the Brain Frame Yearbook.
First of all, it's really a yearbook. We've made much ado, rightfully, about the fact that it will be a hardbound, leatherette, foil embossed ledger. There are portraits and autograph pages and photos and superlatives.
Second of all, it's way, way more than a yearbook. The portrait pages include everyone who's ever performed at, accompanied, documented, and staffed Brain Frame - just shy of 200 individuals. They're all self-portraits, ranging from actual repurposed yearbook photos to photoshopped snapshots to drawn images.
The bulk of the book revisits every Brain Frame event from the past three years (29 in all) chronologically. Every pre-show promo blurb I wrote for Facebook; every detailed performance summary for Tumblr (each one a single sentence, a secret challenge to myself instituted around the time of BF3); every poster lies in these pages. Also photographs, captioned of course, as well as personal content from a vast and varied cross section of Brain Frame community members.
Some people have remembered Brain Frame in original comics. Some have written essays, poems, or "letters to the editor." All of these writings include illustration by yet another set of generous, talented, diverse artists.
| Nate Beaty's comic about Brain Frame 3 |
There's more. A few humorous 'op-ed' pieces (also illustrated); a three part special feature on poster process (A Toast To Posters: with your host, the Poster Ghost); a spread of my costumes (not my idea); the winners of the Brain Frame Superlatives illustrated by Kevin Budnik; a Brain Frame Phrenology page by Jamie Davida Lee; a maze; some quizzes; "Oofo Fakts" scattered throughout; and lots and lots of little drawings in the margins.
![]() |
| Clay Hickson's illustration for Brain Frame 12 |
Let's pause for a minute. Can you believe it? We started collecting material for this book a month ago. I insist you recognize the unwavering and exhaustive support of my intern Lillie West. She is martyring herself in an email prison for the cause.
Lillie and I and the rest of the Yearbook Club: Ben Bertin, Gillian Fry, Christine Lai, Carter Lodwick, Emma Rand, Brad Rohloff, and Nicki Yowell, have been meeting 2-5 times every week to get this done, and slaving away in between. We have to finish by the first of July - this weekend I'm not going to sleep. None of us are making money. We're all buying our own books.
In order to print to our standards, each 160-page, half color, half B&W book will cost $25.93 to make. We're selling them for $25. Pre-sales are live now, and essential to our success. CLICK HERE to reserve your yearbook.
Why? Because it's worth it. Because the whole point is celebrating and embracing the community that has flourished around Brain Frame, and I recognize that this community is not made up of wealthy people. We're hoping to make up the costs through DONATIONS (please donate if you can please please) and ad sales. You can buy an ad NOW for your business, or to commemorate the accomplishments of your loved ones (or enemies). We need ad copy by July 1st! CLICK HERE to buy an ad.
Labels:
brain frame,
comics,
drawing,
events,
writing
1.08.2014
On Toothlessness
Photo by Tyson Torstensen
An important period in my life has recently come to an end. Eighteen years ago, at age eight, I skidded down a hill on my face, knocking out both of my front teeth and shredding my nose, lips and hand. I was on my way home from buying candy. Both incisors were inserted back into my mouth. The left one took, the right one died slowly, over three years. In 1998 this long, grey front tooth was pulled, leaving me with a flipper (a tooth attached to a retainer). In 2005, a year out of high school, I was assigned braces. They strung my falsie up with the others, sans anchor. I would flip it in circles for fun. In 2006, just before moving to Chicago, my braces were removed. My dentist glued the fake into a semi-permanent 'Maryland bridge,' cemented to its neighbors in the rear. Slowly, for seven years, it wore down into a shorter stump, straining and elongating the teeth it held on to. Finally, last summer, my new dentist and I initiated the surgical process of a permanent implant.
At CAKE 2013. Photo by Marnie Galloway
In June, one week before the Chicago Alternative Comics Expo (CAKE), my dentist and his friend the oral surgeon removed my Maryland bridge, cut open and peeled back the gums across half the roof of my mouth, scraped my upper jaw bone and then drilled into it with a titanium screw about 2mm thick and 2cm long. Over the next four months, my bone would grow through the tiny hole in the tip of the screw, securing it permanently into my upper jaw. This surgery was difficult. Local anesthetic doesn't help with immense skull pressure, or horrifying sounds. I like going to the dentist, and I ask a lot of questions. For once, I wished I hadn't know the details.
At Brain Frame 14. Photo by Gillian Fry
I made a cake for Jenna's and Krystal's birthday party. Photo by Eric Rivera
Just before Halloween, four months later, I returned to my surgeon with music and headphones. I didn't want to hear the jaw scraping gum ripping again. (Sounds like velcro.) He seemed skeptical, and I felt foolish when he completed the follow up procedure in twenty minutes with no gross sounds. I guess it's much less invasive to fold back gums and screw a 'healing cap' on to the tip of a protruding screw. This silver button stuck out just past my gum line for the next month, a touch of cyborg, molding a nice seat for the eventual implant.
A week before Thanksgiving I returned to prepare the adjacent teeth for crowning (they were damaged from the bridge) and to take impressions for the tooth sculptor who would be manufacturing my implant. My dentist shaved down my pre-crown teeth into little monster stubs. The left one started throbbing and turning red. I reminisced about the accident and how that tooth had hung by a thread before effective reinsertion. "Ah," said my dentist, "I wish you had told me this before. Once a nerve cavity is damaged like that, it will never be right again. You probably need a root canal."
Bathroom 'selfies' at the dentist's office
He left me with a temporary plastic bridge in the traditional form. The bridge was loose and my cyborg cap visible above it. Whenever I breathed in too quickly, searing pain struck through my front stub. I went in a week later for my root canal.
"I don't usually do this," he said, in the middle of the procedure, "but I think you'd get a kick out of it. Open your eyes." He was holding my swollen, half-dead nerve in front of my face. It was awesome. So tiny and gelatinous. We have a good relationship. When I asked him to use my phone to take some pictures of the hardware he was screwing into my face, he acquiesced.
Photos by John Quinn, D.D.S.
I was in and out of the office about twice a week all December. Finally, on the 26th, I received my permanent teeth. I had to return the next day because the cement in my implant came loose. But it's in there for good now! I have my front teeth, for Christmas, like I've always wanted.
This is the only art in this blog post
A lot of people get dental implants. You probably know at least two people who have dental implants. I heard, during this process, about many sympathetic experiences. A bartender, returning with my change, covertly slipped her flipper to show the same missing tooth. I wanted to write this post because it's a big deal for me - eighteen years is a long time to worry over something - and because of what I learned from choosing to be toothless for two seasons.
When I had the option, between sixth and twelfth grade, of bearing my true grin, I didn't. I only took out my fake to play tricks on people. Once, as a sophomore in high school, our spirit week theme was 'pirates.' I dressed elaborately and left my tooth at home, but in class I was too shy to open my mouth, uncharacteristic for a know-it-all.After the surgery this summer, I thought it would be the same. I couldn't wear my temporary at first, for the blood and stitches. Tyson took me to get ice cream. Ordering my sundae, I felt sheepish, infantilized. I was terrified above all that Tyson, my partner, would find me gruesome. Getting over this (unfounded) fear was the hardest part.
CAKE changed everything. I joked with Lale that cartoonists from Providence would take me more seriously if I was missing a tooth. I quickly realized that all cartoonists take me more seriously without a tooth. The first day, I played with my temporary so much - showing off for people - that I broke it.
It's not hard for me to approach people, especially at alternative comics conventions. Toothless, it was even easier. People let their guard down as soon as we started talking. An interesting topic was always at hand. Funny faces were ten times as effective. Facing off with Patrick Kyle during the Comic Art Battle, I removed my tooth to psych him out (we were drawing cruel portraits of each other) and won.
I became comfortable socially as well as physically, leaving my gap agape. Interactions with cashiers, postal workers, servers, bankers, and other anonymous members of society remained unchanged. Friends and coworkers, people already at ease with me, were the only ones with probing questions and astonished looks.
At CAKE 2013. Photo by Jacq Cohen
In fact, the only insulting conversations I had regarding my willful toothlessness were with my dentist and his employees. They did not get it. "I would be humiliated..." "you're so beautiful with teeth..." "we have got to get that fixed!" I felt as though, taking pride in my non-conformity, I hurt their feelings.
Photo by Tyson Torstensen
I did wear my flipper for special occasions, like emceeing Brain Frame Lit and Brain Frame 13. The day I got my replacement temporary was the day I shot my Kickstarter video. In these situations, I wanted to remain focused, and I wanted my audience to focus on my presentation, not my mouth. And, I had to wear it occasionally to keep my teeth from shifting.
It was never truly easy. Every day I made a decision. At Brain Frame 14, I emceed without my tooth. I doubt anyone noticed, but that took a lot of guts. (The gap was noticeable, not my guts.) I enjoyed dressing up toothless, for a gay cruise, for my birthday dinner. I was acutely aware that the power of my toothlessness, the element of surprise, relied on my existence as a young, white, put-together woman.
At Brain Frame 14. Photo by Gillian Fry
On the Ryley Walker shoot. Photo by Ryan Gleeson
As the completion of my surgery neared, I grieved. A full, cosmetic smile for the first time in my life - how insincere! And what a relief. I don't miss the health concerns, exorbitant cost, and physical discomfort. My toothlessness came at an important juncture, during months of unparalleled ambition and increased visibility. I am grateful for the security it provided. Ultimately, it was like Dumbo's feather: a 'magic' talisman. When Dumbo looses his feather he thinks he can no longer fly, but he can! He could all along! I was always weird! I still am! A toothy grin also disarms.
Labels:
performance,
politics,
teeth,
wimmin,
writing
8.03.2013
Brain Frame Lit
photo by Lori Felker
Last weekend, a lot happened. On Sunday, Brain Frame celebrated its second anniversary, Brain Frame 13, in a performance spectacular and social event. More on that later.
On Saturday, I organized the first ever Brain Frame Lit as part of Saturday Strip: Comic Day at the Museum of Contemporary Art.
photo by Ian McDuffie
Brain Frame Lit is a new invention, arising from a unique obstruction. The MCA wanted me to organize something as part of Comic Day, but they wanted me to do it during the day, in an area full of windows. Brain Frame proper is at night, in the dark, and almost every performance utilizes digital or analog projection. Daylight would render such tools unusable.
So, I selected cartoonists with strong literary or narrative voices, and issued them the challenge of communicating their imagery through means other than projection. Everyone stepped up to the plate. I received the name Brain Frame Lit in an instant of clarity (it also looks like Brain Frame Lite, which is appropriate) and proceeded to make this stupid flier:
The performances were great. We decided to do it outside to maximize our new muse, the sun, and we maintained a full, attentive audience for the duration of the show. Halle Butler read a short story and had audience members follow along with an illustrated booklet. Eric Rivera distributed a package of drawings from Second Chances #1, and performed three vignettes from the story, in costume with a narrator. Ian Endsley ended the show with another incredible, disposable comic where each panel is drawn on the next page in a giant pad of paper. Ian rips off and casts away each page as he reads, demure, charismatic, affecting, through the comic. At the end everybody scrambles to grab the pages they'd like to take home.
For my reading (a redressing of They Glistened) I created a bunch of jello diagrams of the liquid aliens who star in that story, the Squishsacks. I drew the Jellyship, their symbiotic, organic spaceship, on the whiteboard behind me. I smashed the Squishsacks in time with the narrative, and drew corresponding, shitty diagrams on the board behind me. I had no eraser, but erased with my hands, so by the end of the performance I had black-pigmented green jello all over. I slept an hour and a half on Thursday night, and three hours (in two segments) on Friday night, and this was Saturday, and that night I slept four hours before Sunday and the execution of Brain Frame 13. Everything went really well, and I've been exceedingly happy all week.
photos by John Fecile
Labels:
brain frame,
events,
performance,
writing
Subscribe to:
Posts (Atom)






















