Has anyone noticed that I've been making a lot less of my own stuff recently? Is that true? Or am I just restless because I have so many ideas building up, in this short time of being busy with hired work? I can't tell, since I never feel like I'm doing enough; I am proud of my recent work for and with others.
I can't believe I haven't mentioned the werewolf movie Ross and I have been shooting. It's called, obviously, The Beast Within, and it's a period piece in the medium of experimental-narrative, 16mm, low-budget filmmaking.
There are four characters: The Scientist/Werewolf (Ross), the Love Interest (Alison), the Priest (Matt), and the Evil Nun (Bethany). Ross wrote the script and we've planned it together - you could call me the assistant director, and the director of photography, if you want to get fancy (and we will, in the credits). I shot everything. We're almost done with production, and then the cross-dissolve transformation scenes will be optically printed, and the full moon above a loping silhouette, and a psychedelic horror trip with flashing colored lights and Ross, foaming on the floor.
Here's the trailer:
Tyson plays a lot of instruments, but in Night Terror it's all synths (and, you know, terror) and good for listening to with headphones or in loud stereo-equipped environments. Here are some demos:
Ben Russell and Ben Rivers are two contemporary experimental filmmakers whom I greatly admire. So when Ben, who is also a friend of mine (ha ha! which one?) asked me to draw titles for the trailer of his and Ben's new collaborative, feature length experimental film set in Scandanavia, with vikings and a commune and a burning house, I was honored and excited to help. Here are the titles, (although the ampersand was rejected) and here is the trailer: